I figured if I set up an accident, I can like it without guilt or fear of contrived results. I am imagining a firing that uses no kiln shelves , and its an exciting thought :)
The paintings are stacked, with holes and separating props, complex flat support scaffolds inside, and mountains of glaze on them, so that it runs off the sides and paints the next one , until it reaches the bottom :) ideally I use glazes that change colors depending on temperature, so than the series will look different but decipherable as the same glazes repeated. ... it's an experiment, one I can't wait to try :)
